Showing posts with label Domestic fiction. Show all posts
Showing posts with label Domestic fiction. Show all posts

Tuesday, October 9, 2012

A Country Called Home

Welcome to Fife, Idaho, a tight-knit, rural community and compelling character in Kim Barnes' novel, A Country Called Home. For years, pharmacist Burt Kalinosky - or Dr. K as the locals call him - managed the medical needs of that small community from "menstruation, childbirth through menopause" and he is a bit bemused to hear that Tom and Helen Deracotte, a New England doctor and his pregnant wife, bought the old Bateman place - sight unseen. The news also causes quite a stir among the area old-timers who know better than to buy a farm without walking the fence line and weighing the soil.

Friday, July 6, 2012

Down and Out

I enjoy character driven novels, especially when those characters live hardscrabble lives. The more "down and out" a character or situation is, the more involved I become. My interest is always piqued when a character's environment - or even his or her internal makeup - presents barriers to that character's advancement. After all conflict is the fuel for storytelling and, to be honest, fuels this schadenfreude reading tendency of mine. So I present three novels with characters that encounter seemingly insurmountable odds.

The Brief Wondrous Life of Oscar Wao by Junot Diaz is the most engaging of the three. Oscar de Leon takes center stage but the story mostly concerns the lives of the people who surround him: his mother and sister, the woman with whom he falls in love, his college roommate and his very estranged father. The story stretches across time and place - from Oscar's mother's youth in the Dominican Republic to his family's modern day immigrant struggles in New Jersey. Oscar is hapless and, while we may cringe at that, very endearing.

Monday, April 23, 2012

A Scarlet Letter for Today

When She Woke by Hillary Jordan is a sci-fi re-imagining of The Scarlet Letter. In this not-so-distant future, abortion is outlawed in the state of Texas, where Hannah Payne, a naive young dressmaker, grew up. When she has an affair with a flashy televangelist named Aidan Dale, her crime is not bearing an illegitimate child...it is aborting it. Convicted felons have their jail time televised and skin dyed bright red before their release. This is the point at which we meet Hannah, a modern Texan Hester Prynne.

Monday, August 29, 2011

Bent Road

Welcome to the high plains of Kansas, where you can see for miles and nothing's as it seems.

After a 20 year self-imposed exile, Arthur Scott relocates his wife and three children to the Kansas farming community of his youth. Years before, his beautiful blond sister Eve died mysteriously and small town speculation cast guilt on her boyfriend Ray who, after Eve's death, married her sister. The locals' open curiosity and condemnation reduced him to an abusive drunk and the likely suspect when another local beautiful blonde girl disappears shortly after the Scotts arrive.

Neither pastoral nor sympathetic, the country and community portrayed in Bent Road by Lori Roy is pure Midwest gothic with danger and drama around every corner.

Find it at your Library.

Vicki Ann

Tuesday, May 10, 2011

Missed it by that much...

Jennifer Egan's A Visit from the Goon Squad may have won the 2011 Pulitzer Price for fiction, but it had some respectable competition from some great reads. One of the also-rans, Jonathan Dee's The Privileges, is an unsung but immensely readable novel. In this modern-day love story, set against the backdrop of Wall Street greed and venality, Dee offers a page-turning and curiously non-judgmental view of the unethical behavior that made some people very, very rich.

The novel opens with the wedding of Adam and Cynthia Morey. They are attractive, savvy, fiercely devoted to each other and determined not to repeat the mistakes of their dysfunctional parents. A life of unlimited possibilities stretches before them and they intend to have it all -- and quickly. Adam goes to work at a private equity firm, Cynthia stays home with their two children, and to outward appearances their life in Manhattan is idyllic. But, in reality, it's on shaky ground. For Cynthia, ennui is setting in. For Adam, things aren't happening fast enough. Being upwardly mobile is fine, but it's not as good as arriving on a private jet. Believing his family deserves more than he's providing, Adam embarks on some very risky insider trading. It pays off in enormous wealth but imperils the couple's children and their own humanity in ways that neither saw coming.

Dee has a deft hand for characterization -- far from being stereotypical greed-heads, Adam and Cynthia are breathing, sentient, self-aware and appealing, and Dee makes us care about them. There's no reason we should like these people, but we do anyway. Their dishonesty somehow just doesn't feel, well, dishonest. Is it acceptable to behave unethically when it's done for love? Dee's new twist on an old story may surprise you.

--Helene